Archived posting to the Leica Users Group, 2000/08/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]It's unfortunate when the discussions get too heated. One person makes a point, and someone picks up one element of it and spins it in a direction different from what was intended, and then comes another retort. All of the LUGgers have written things that are worth hearing when understood in context and with empathy. My own experience, as one who loves his Leica equipment dearly, and who sold all of his Nikon gear (two F2 photomics and a slew of lenses): I cannot tell the quality differences in the pictures, although tests I made clearly showed my 50mm Summilux superior to the Nikkor, Pop Photo not withstanding. I am quite proud of some of the early Nikon pictures and still feel surprised I made them, but there is one major difference: when I changed to the Leica the fact that I could see beyond the frames, the very quick reaction time of the quiet shutter, and the small unobtrusive nature of the camera itself, led to an increase in pictures that have a spontaneous, slice-of-life look, that I prefer. With the Leica I have done some carefully set up shots, with a tripod, using the 90 and135 Elmarits, but the strength of the camera for me is the type of photograph Jim Megargee has on his website. I am not pretending that for me the camera is just a tool. It is a work of art, too, and one that is not so easy to obtain. I love it for many reasons. But more of the great photographs ever made were made with cameras other than Leicas... Jesse Hellman