Archived posting to the Leica Users Group, 2000/06/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I must demur. Eisenstadt may not have been the most talented photographer to stand behind a Leica in terms of composition and zone system tonal quality, but he produced a truly remarkable record of so many events that shaped the lives of all of us and will continue to shape the lives of generations yet unborn. I do not feel that it is the photojournalists "duty" to produce museum quality images (not that I am against that goal). It is the PJs task to present to us a vision of events of great and lesser importance. Eisenstadt, for whatever reason...his charming personality, the backing of Henry Luce, was present at an enormous range of momentous events, for which he richly deserves praise if not veneration. Our record of the Twentieth Century would not be so full if it hadn't been for Eisenstadt. Buzz Hausner - -----Original Message----- From: John Brownlow [mailto:john@pinkheadedbug.com] Sent: Thursday, June 29, 2000 1:59 PM To: leica-users@mejac.palo-alto.ca.us Subject: Re: [Leica] Eisie on 6/29/00 1:45 PM, Robert Appleby and Sue Darlow at laintal@tin.it wrote: >>>> > Sorry, but with the exception of a handful of images, I think that > Eisenstadt was, basically, a reasonably talented celebrity photographer who > got VERY far on a wonderful personality. Does that make him or his work > bad? > <<< > amen. I could never see him as photojournalist of the century, except due > to the way he got around. But then if your career spans 60 years or so, you > do. Plus he seems to have been a number one social climber. Make that three of us. His photography does nothing whatever for me. Kind of photojournalism for people who don't like photojournalism, if you see what I mean. - -- Deadman