Archived posting to the Leica Users Group, 2000/06/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>"Summicron-M ASPH 35mm and Summilux-M ASPH 35mm have a different fingerprint >and therefore a diffferent audience and photographic capabilities. >If you need F/1,4 there is no alternative. If F/2,0 is enough for you the >flavour of Summicron-M ASPH 35mm and its price/volume are very attractive. In >performance it and its sibling Summilux-M ASPH 35mm are in the same league." > >So my question is...why does the Summilux seem to be so much more desirable >that the Summicron... [sniiiiiiiip] > >Jim i would wager that the lux 'seems so much more desirable' because: - - it's got the extra stop - - it costs $1000 more at least, that's what i felt when i was choosing a 35. in the end, i went with the summicron because i just couldn't justify spending $1000 for the extra stop! for the same reason, i opted for the summicron 50 over the summilux (a silly thought, when you consider the $1000s i've blown on various leica nic-nacs). in both cases, i couldn't be happier with my decision. to come back to the 35s, while i can't comment on the summilux, i can say that the summicron is a fantastic lens: it gives crisp, eye-tingling images at all stops. wide-open it's great; at 5.6 or 8 it's great; bokeh is beautiful; and all that in a small package. my one complaint: this lens may be *too* sharp. (i actually met a leica user who traded back to the pre-asph version for this reason.) i'll also say that i very frequently shoot in low light, and subsequently use both the 35 and the 50 at 2.0 most of the time. maybe it's because i never had the extra stop but quite honestly, i don't miss it. i'll shoot handheld down to 1/15 - even 1/8 if i've had a drink - and never say to myself, 'now if i only had that extra stop...' where i miss the extra speed, is with the 24 and 90/2.8s. guy