Archived posting to the Leica Users Group, 2000/03/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>Hello friends, > >The French magazine Photo presents an interesting paper about Sebastio Salgado. >Beside some important subjects, he gives informations about his gear. At the >beginning, he used a Pentax then a Nikon F or two. In 73, he had the money to >buy a Leica, a M5 with 4 lenses (35, 50, 90, 135). "[The M5] is the best camera >I ever had" does he say. Then, in 79 he joins Magnum. The agency had a contract >with Olympus "The viewfinders were bright and the optics fabulous but they used >to loose their screws". In 84, Leica gives him a R4 "he did not had a very >reliable electronics". Then he got an R6. "Today, the R6s and the M6s are the >bodies I always use". He carries 3 R6s with a 60/2.8 mm, a 35/2 and a 70-180/2.8 >and 3 M6s with 28 mm, 35/2 and 50/1.4 and a Minilux. In his custom made leather >bags (in a picture, he seems to have one hanging from each shoulder), he places >too a Leica table pod, the 30 B/W (exclusively) films he needs for the day (24 >Tri-X and 6 T-Max) plus a Sekonic lightmeter. No flash, no filters. > >BTW, the same issue of Photo presents the work of Brassai and Jane Atwood (and >of course, I will not say a word about some splendid semi-nude pictures of >Sophie Marceau who will play a photographer in her next movie). > >All the best, > ########## I've noticed that Leica offered him a R4 and a wide range of lenses.Because he won the Oskar Barnack prize. Hum. Concerning the R6 he says : "It's a superb body, entirely mecanic, which "tient la route" (= holds well ???)