Archived posting to the Leica Users Group, 2000/03/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]So Mike, Why is it you have closed your correspondence with me? In particular re: your invitation to submit an article to your magazine? Granted I have had "coffee" with Mark R. (enjoyed it and plan to again) and had private e-mail correspondence with him, Erwin, Tom A., Jem K., and Tina M., but the subject of you has never come up (yet!). Have I offended you in some way, or is it the company I keep? Back to list-lurking, David (who uses N***n, and Z***s professionally since '83, and owns and uses O*****s (since '77) and Leica (since '94) for personal work, Duff. Mike Johnston wrote: > > Ah, the little light bulb above my head just flashed on. > > I get it. > > I was puzzled by Mark Rabiner's post of yesterday, in which he taunted > me at length about "my own" Summicron and whether I had been doing any > shooting with my Leicas and so forth. > > Then I remembered something. A few weeks ago, I was contacted privately > by Bob Bedwell ("rlb"), who offered me sympathetic advice in what he > professed to be a "fatherly" vein (in fact he said twice that he wished > he could adopt me--which I thought was a bit peculiar, but whatever). > > Naturally, in the way of cordial e-mails when people intend to make > friends, we began sharing details of our lives and so forth. > > But then something strange happened; concurrent with our private > conversation, Bob said something on the LUG about me in a curt and > unkind tone, which I thought was strangely at odds with the persona of > his private messages. He explained himself in private, but that sent up > the red flares to me, so I brought my correspondence with him to a > close. > > So when Mark's taunting message came through the Digest, I was > mystified. Until I remembered--I had mentioned to Bob in private that I > don't own a Leica. I said something like "don't repeat this on the LUG, > or I might get kicked off!" > > The second thing I remembered was that Bob had explained his unpleasant > comment about me by saying that it was meant to be in support of Mark > R., who is his friend. > > So what Mark said yesterday was based on information about me provided > to him by Bob, and was intended to humiliate me. I get it now. > > Mark probably assumed that the information I posted about Gary Reese's > lens tests was an attempt to justify the fact that I shoot with Olympus > and can't afford Leica. Which might be the way HE would feel. Only > problem with that idea is that I don't shoot with Olympus. I shot with > the Summicron much more recently than I shot with the Zuiko. I haven't > had the Zuiko for years. > > Bob and Mark are playing Machiavellian games here. Bob falsely poses as > a friend, plies me for personal information in private, then provides > the information to Mark, who exposes it in public and imagines he has > made some sort of coup. > > Which is pretty interesting. I have to say I'm amazed at the lengths to > which some people will go around here to play evil games! You guys are > sick! > > Unfortunately for our earnest Machiavellian duo, I don't care. Here's > the scoop: I use whatever cameras I want to. I don't own my own cameras, > except intermittently as the mood strikes. Right now I'm using a Mamiya > 645AF, a Deardorff 8x10 with a Ries tripod, and a Leica M4 with a > Nokton. Nothing but the Nokton belongs to me (a birthday gift from dear > Mom), and I simply bought that because it will be a few months before > THK would be able to provide one to me to try for free. Maybe next month > it will be a Maxxum 9, a Linhof Kardan M, or a Contax 645. Who knows? > > Here's the main reason I don't own my own cameras: because I review them > as a part of my job. I wrote our recent cover story on the Contax Aria > (_PHOTO Techniques_, Nov/Dec 1999), and I write our year-end "World's 25 > Best Cameras" feature every year. I simply think that to write honest > reviews, a reviewer needs to be using the camera in question on a > day-in, day-out basis for real work. I don't think it's fair to "try" a > camera in a superficial way and then fall back on one's "real" equipment > whenever there's actual work to be done. The last job for pay I did was > two weekends ago, a bat-mitzvah portrait. I did it with the 645AF. First > time I'd ever used the camera. You learn more when you're under pressure > to perform. > > In the interests of full disclosure, I have to say I *do* own a few > cameras and lenses, but they're basically detritus: odds and ends, old > junk that isn't worth trying to sell, or point-and-shoots that were sent > to me to try that the manufacturers don't want to restock. I try to keep > the cabinet cleaned out, but it gets ahead of me. And I do have a few > antique cameras, but they're all heirlooms. > > So, dudes, nice try. (You're creeps, but nice try). Leica sends me > whatever I want to try. I can get my hands on just about anything that's > remotely of interest to me. The same is true for films, chemicals, and > papers; enlargers, enlarging lenses, and other darkroom equipment; and > digital equipment. Whatever. > > And in any case, it's more a responsibility than anything else. I got > over the "toy store" aspect of my job back in the late '80s. But > congratulations on your own good taste, guys. I'm sure your own > photography is much better, and much more valued by gallery owners, book > publishers, museum curators, photo editors, and the public, because > you've got the right brand name on your equipment. > > I can only imagine how difficult it is for you to buy clothes. > > --Mike