Archived posting to the Leica Users Group, 2000/02/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mike, Picking up on the phrase "some version of the colour that's there", I found a delightful little book today on the fleeting color process, Dufaycolor. At home I have a few exposed rolls of 35mm transparencies from someone who shot them in his Leica (on topic) pre-war. I can't recall whether this was the colour process whereby he remarked that it was quite easy to watch the emulsion disappear down the plughole, but it was certainly a relatively obscure film which gave way to Agfa and Kodak's more rugged systems. Dufaycolor relied on an extremely fine (5-600 per inch) grid of lines and colours (red, green and blue) seen through a 'reseau', a grid. I think the 1970's Polacolor cine system was something similar. Jem > ---------- > From: Mike Johnston[SMTP:michaeljohnston@ameritech.net] > > > >>> you have to accept some version of the color that's there. So it's not > the > same problem at all as you have in the traditional visual arts. > > --Mike >