Archived posting to the Leica Users Group, 2000/02/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In a message dated 02/06/2000 5:35:37 AM Eastern Standard Time, dkhong@pacific.net.sg writes: << Contrary to popular belief, this lens is sharp enough at f1.4. It has the roundness associated with an older lens design and the pleasing "bokeh" found in this piece of optic. >> I fully appreciate what you are saying regarding aberrations and I especially like your photos. However,"sharp enough" is a subjective statement. I have owned most of Leica's 35mm lenses, both M and R, and the ASPH Summilux - which I believe to be the best 35mm lens I have ever used regardless of manufacturer. Contrary to your conclusion, I find the "glow" as you describe it to be objectionable - it reduces image definition and information, bleeds light into shadow areas where it does not belong and reduces overall contrast in BW and the color saturation of slides and prints. For me, the glow of leica lenses has always been in the way that images seem to illuminate from within, almost as if the subject has an internal energy which radiates independently from the environment. I still find this kind of glow in the new lenses as well. In fact the 35, 1.4 images almost shockingly jump out at you. I think this characteristic is a function of low flare which helps to produce high microcontrast and fine gradation. Earlier lenses were pleasantly soft for the first one or two stops and we learned to work creatively within the bounds of that fault. In short, many photographers learned to exploit the weakness of the lens. But that weakness is truly just that if you need sharp, high contrast, well-saturated images taken wide open in difficult lighting situations. I don't mean these comments to challenge your work nor your view of photographic image-making, but rather, to point out another perspective on what a good lens should do - and one which I happen to embrace. Bob Figlio