Archived posting to the Leica Users Group, 1999/12/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]: X-Mailer: mail.com X-Originating-IP: 208.139.123.102 Fair warning: the following post is rather long. After lurking on and off for the better part of a year, I am now breaking my silence with my first posting to the LUG. The occasion for my giving voice is the happy turn of events that unexpectedly allowed me to attend the LUG dinner in Hong Kong on December 1 that was graciously organized by Joseph and Sarah Yao. After finishing my work in Thailand earlier than anticipated, I rang Joseph’s house early Wednesday morning and reached Sarah, who let me know that I could still be squeezed in for dinner that evening at the Foreign Correspondents Club. I caught the next flight from Bangkok to Hong Kong, and by afternoon found myself becoming reacquainted with the familiar buzz and bustle that is street life in the Tsim Sha Tsui district. This area is home to two of Hong Kong’s iconic institutions, the Peninsula Hotel, redolent of Hong Kong’s colonial history, and the Star Ferry connecting Kowloon with Hong Kong island, which at HK$2.20 is one of the great transport and sightseeing bargains of the world. I chose that initial reconnaissance as a good occasion to pay my custormary respects to Mr. Chin, proprietor of my favorite Leica shop on the planet. Who should I encounter there but fellow LUGGER Adrian Bradshaw, whom I last met in Shanghai, accompanied by Shintaro Yaghinuma of black paint Leica fame, whom I had known only by reputation. Both were laden with an assortment of Leica Ms, Rs and LTMs, with all the Ms fitted with Tom A Rapidwinders. We fell upon each other with glad cries, engaged in the tea ceremony with Mr. Chin, and caught up on old times. Shintaro amazed me not just with the virtuousity of his paint jobs on Leicas but also with his mechanical wizardry as well. Among other marvels, he showed me his 21mm Biogon for G2 which he had personally retrofitted for Leica M by using the helical focusing mount cannabalized from a Russar 20mm LTM. This struck me as the photo-mechanical equivalent of black magic. We reconvened later that evening at the FCC, where 20 of us were gathered for the third HK LUG dinner. I think that the participants must have set some kind of record for distance travelled: I had flown in from Bangkok, Adrian from Shanghai, Shintaro from Tokyo, Ting Lee from New York (returning to his place of birth after a 32 year absence) and Helen and Alastair Firkin from Australia byway of Japan. As we were meeting in the Foreign Correspondents Club (Joseph is a member), our gathering was crashed by various photojournalists who haunt the FCC bar -- most entertaining. The meal was great, the wine flowed freely (selected bySarah, who is a leading local wine importer), lots of show and tell of gear and photos, but best of all the warm fellowship and company of good people brought together by common interest. Absent friends, including Howard Cummer and Ray Tai, were noted and missed, and Adrian read to us a warm and gracious greeting from Tom Abrahamsson. All in all the evening was a success and a delight, and I thank and congratulate Joseph and Sarah for their thoughtful initiative in organizing it. I think it should inspire others to arrange similar events wherever fellow users can meet. It is a wonderful way to put a face on someone known previously only by e-mail, and for me has led to warm personal relationships with friends in far flung corners of the globe. Part II The next day, Adrian, Shintaro, Joseph and I met at the Hong Kong Macau Ferry terminaland embarked on the hour long journey by jetfoil to Macau, the Portuguese colony founded in the 16th century (?) as a base for Jesuit missions to China. Macau, like Hong Kong before it, is to be handed back to China later this month. This was our opportunity to make a photographic record of the last days of Portuguese Macau. A very different feeling from Hong Kong. Macau is older, gentler and quieter -- where Hong Kong is about modernity and commerce, I would say that Macau is more rooted in tradition, and draws deeply from its Portuguese heritage. The sense is one of gentle decline, but one of sweetness not of regret. We started at the ruins of St. Paul’s Cathedral, which stands at a high point commanding a view of the city below. All that is left is the magnificent baroque (?) facade, with statues of saints peering out from niches high above the hill. We worked our way down the flights of steps leading up to the Cathedral, taking pictures along the way. It must have been a slow news day because Adrian and Shintaro were interviewed by a Chinese television video crew who were also covering last days of Portuguese Macau. At one point, Adrian had a problem getting his 60mm Elmarit-R Macro to focus to infinity -- the helical had worked loose. Shintaro proceeded to amaze us all by performing a field CLA of the lens, taking it apart and reassembling it on the spot, restoring it to full working order. He did this while standing up. Handy guy to bring along on a photo shoot, I would say. In the course of proceeding down the winding streets leading to the center of the old city, we ran into a French photojournalist, Franck Regourd, who had been living and working in Macau for about 10 years. A fellow Leica shooter, he was attracted by the sight of aBrit, a Japanese and a Hong Kong Chinese with a good dozen Leica M and R bodies draped about their persons (I identified myself as the only member of the group not to be taken seriously, being feebly equipped with only a Minolta CLE and 25mm neo-Voigtlander Skopar). To be brief, yet another spontaneous convention of the international fellowship of Leica enthusiasts resulted, unexpected and unplanned. Franck showed us his work documenting the daily life of the Macanese, introduced us to John, another local journo, and took us to meet his friend Ng Chi Ho, staff photographer for the Macau government tourist bureau. After short visit there, Franck and John kindly introduced us to a purely local Portuguese restaurant called the Alphonse III, where we spend the next several hours enjoying a delicious multi-course Portuguese lunch, washed down with a couple of bottles of the typical vinho de mesa. Franck and John engaged us with details of how they have lived and worked and learned to enjoy the people and life of Macau. The finale of our day trip was a foray into the local camera shops in the back streets of the old city. This was a great success for Joseph and Shintaro. Joseph acquired a new-in-box classic M6 .85, at the original price, and Shintaro acquired a Leica RE, also new old stock, at an advantageous price. Shintaro also picked up a limited edition, Chinese-made Phenix SLR, commemorating the hand-over of Macau back to China. The shop owner offered to sell one to Adrian as well, to which Adrian sniffed, in his best priggish manner, “No thanks. I’m a photographer,” leaving the “as opposed to a souvenir collector” unspoken but clearly understood. It was a priceless moment and the high point of a altogether memorable 2 days. Since I can’t top that, I will stop now and run off to dinner with Joseph and Sarah, from whose Hong Kong flat I am posting this. After dinner I will gloat over the new Utlron, Nokton and Color-Heliar lenses that I have acquired through Joseph’s kind ministrations, and then pack my luggage and get myself ready for my flight back to the bosom of my family and prepare myself to resume the quotidien duties of end-of-milennium life in the USA. Kind regards, Peter C. __________________________________________________ FREE Email for ALL! Sign up at http://www.mail.com