Archived posting to the Leica Users Group, 1999/11/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In another venue, I had a similar experience in a dimly lit horse barn photographing thoroughbreds in the late afternoon. Fast Leica glass combined with the handheld slow shutter speed capabilities of the M3 and M6 enabled me to shoot (without flash) under conditions that would have caused me to pack away the Nikkors. More importantly, M3 and M6 shooting permitted me the opportunity to capture the personality of each horse, along with some special shots of the trainer and her young daughter after the race. Since I know that obtaining similar images would have been difficult, if not impossible, without my Leicas, I'm thankful for my M gear! Sandy Jonathan Lee wrote: > My M6 has captured images of my kids that is a > tremendous esthetic improvement over similar pix from my Nikon F3. I'm not > talking about technical aspects of the image here, I'm referring to > something more ephemeral, something that might be described as an "essence" > of my children. This "essence" was elusive and unphotographable with my F3. > Is it because there is no mirror blackout, or the short shutter delay, or > what, I don't know. My eye hasn't improved, I've been taking pictures for 20 > years now with cameras ranging in size from a Cannonet to a Sinar P. All I > know is that my recent portraits of my kids are great and the Leica camera > has something to do with it. > > Am I crazy? Probably. I once thought that bokeh was a ridiculous concept, > but am now a firm believer. As it says in the Leica brochures: Is Leica the > only camera with a soul? I don't know, but it certainly feels that way.