Archived posting to the Leica Users Group, 1999/11/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>>>While you may not believe it, there are people who will prefer a good quality digital print on 136 pound hot-pressed water color paper to a top quality silver print on fiber paper<<< I'm one. I've never liked "traditional" color photo media--I absolutely abhor the typical "slide look" in prints, underexposed "for saturation" and looking contrasty and lightless--I've seen hundreds of thousands of such pictures and I'm sorry, but I think it's an inherently ugly medium. Type C prints _can_ be nice, but just as often look "gassy" with sickly color-crossovers. Cibas, although some people love them (Phil Davis does), look ghastly to me. Exceptions I can think of include masked Cibas on matte paper, for instance Richard Misrach's desert fires. I think maybe nine of ten of the best-looking color prints I've seen in recent years have been digital. (And every tenth print is a dye transfer.) High-end giclee prints can be stunning, although giclee printers have a tendency to overdo the color. High-end Fujix prints are sharper-looking than any photographs I have ever seen, period, only challenged by unsharp-masked large-format black-and-white prints. And I even like well-corrected desktop-inkjet prints made on desktop printers and fine-art papers. While not perfect, the flaws inherent in these are often easier to take than the flaws inherent in traditional color materials. I personally don't think optical/chemical b&w is in need of improvement, but digital is both the true coming of age--and the future--of color. - --Mike