Archived posting to the Leica Users Group, 1999/10/31
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Irwin, Glad to read from your post on granularity that you are apparently well and back in full form. I hope you found American medical treatment to be satisfactory and caring. Sorely missed you at the LHSA in Chicago. Best Wishes, Paul > ----------------------------- > > Date: Sat, 30 Oct 1999 21:13:18 +0200 > From: Erwin Puts <imxputs@knoware.nl> > Subject: [Leica] RMS granularity > > The new Provia 100F has a published RMS granularity value of 9 and > is, according to Fuji the lowest value of any 100 speed slide film. I > do not wish to dispute this claim. Film manufacturers are > conservative in their claims. But what does it mean? It is being > cited as a premium characteristic, that distinguishes this film. > First someRMS figures. > Provia (old); 10 > Velvia 9 > Astia 10 > Provia F (new) 9 > Fujicolor 100 4 > Fujicolor 400 5 > Fujicolor 800 5 > > So we see that even an 800ISO color neg film is much finer grained > than a very fine grained slide film. > The RMS granularity is a figure derived as follows. > A microdensitometer with a circular aperture of 48 micron scans the > uniformly exposed area of an emulsion. Because of grain distribution > the density of the emulsion is not equal (as it should be because of > uniform exposure). The density thus fluctuates and these fluctuations > indicate the presence of grain. The variability of the fluctuations > around the mean is well represented by the deviation which is the RMS > value. Remark that it is a fluctuation around the mean and because of > the reading aperture of 48 micron IS ONLY VALID at a magnification of > 12 times. At any other magnification (usual for slide film) the > correlation between graininess and RMS value may not hold. > The other point of this measure is worth noticing: the viewer of the > grain pattern looks at such a distance that the apparent grain > pattern seems to be not visible or blends. We may wish to ask > whether this threshold value is of overriding importance. If the > viewer still sees a slight grain pattern (disregarding here all kinds > of psychological and physiological factors), would he/she detect a > significantly larger grain? And if so what is more important: light > scatter because of finer grain which will reduce the impression of > sharpness quite a lot or the fine grain impression. Furthermore: the > chracteristics of B&~W grain and of dye couplers are very different. > Because of the uniformly spread dye couplers the random fluctutaion > around the mean is reduced. So the value of 5 or 9 for dye coupler > films does not indicate the same grain impression a sa value of 11 > (Kchrome 25) or a 13 for B&W negative film. > As so often: any single value taken out of context and without > reference to the measurement parameters may be quite misleading. > > Erwin >