Archived posting to the Leica Users Group, 1999/10/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Erwin Puts wrote: ><Snip> But when > pushing you loose a bit. To lower the exposure to get the shadows > back and at the same time deciding to push the film will cancel out. > If you need shadows you cannot push (or you should overexpose > consciously when taking the picture, being aware of what you are > doing) and if you need pushing you lose some deep shadows. > > Erwin This is what some of us have been saying Eriwn and we are glad you've given it a real test! To give something a "push" I've always found an offensive term because it's like saying good by to the shadows where the real speed of the film is determined in use...not the highest technique. In the black and white realm an increase in real (shadow) film speed by the use of water baths, borax baths, higher dilutions of developer or just better developer more suited to bringing out film speed (like T Max developer) is a real solution to people wanting more film speed than the number on the box. This is called "compensation" in stead of "push," more diplomatic language. I've even heard of people using such compensating techniques with color film. Mark Rabiner