Archived posting to the Leica Users Group, 1999/10/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Simon Pulman-Jones wrote: > > I have eagerly followed the recent discussions about digital printing and > the latest Epson printers as I am about to take an oft planned, oft delayed > plunge into setting up a digital darkroom. One of the excellent links > provided by Tina: > > http://www.photo-snowdonia.freeserve.co.uk/link16.htm > > contains an article which argues that for printing at maximum A3 size of > the Epson 1200 it is better to scan from a 6 x 4 inch or 7 x 5 inch print > than to use a 2700 dpi 35mm film scanner. This made me wonder whether I > should change my priorities when trying to juggle my digital darkroom > budget between scanner, printer, and upgrading my PC and monitor. Maybe at > this stage it would be better for me to use a (relatively cheap) flat bed > to scan prints and forget about trying to decide between 2700 dpi or 4000 > dpi film scanners. > > Can anybody advise me on this? What are the quality considerations between > scanning prints and negs/trans? I was surprised when I saw the article > arguing in favour of using 7x5 inch print scans for A3 inkjet prints > because I had assumed that the dynamic range from a print scan would be > significantly inferior to a film scan. > > Simon, > London. I would think the dynamic range would be inferior. The advise would have more credibility if they advised making and 7x5 inch enlarged film positives to scan instead of a paper print. I am just now working from scans from film and I find it much nicer and like real digital darkroom work than my previous scans from prints. Mark Rabiner