Archived posting to the Leica Users Group, 1999/09/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Henning, Could you compare the color rendition between the two versions of the Summicron? Are they pretty much the same? TIA, Bud "Henning J. Wulff" wrote: > Recently I received one of the new Summicron 90's, and can only corroborate > what Erwin stated on his site in his earlier comparison on the various > 90's. > > I have a 90/2 (#2814***), second type and a thin T-Elmarit (#2793***) and > compared them to the new A-A 90 using Ektachrome 100S, Kodachrome 25 and a > couple of fine-grained B&W films. The Kodachrome I don't have back yet, but > the other stuff has been analyzed. I shot on a sturdy tripod at two > distances, infinity and 3m. > > The 90 A-A was outstanding in all shots; there was very little difference > between using f/2 and f/4, and in the 100S shots, I really could see no > difference. The old 90/2 did remarkably well, and the T-E was a step behind > that. However, the T-E at any aperture never did reach the performance the > 90 A-A showed at f/2, and the older 90/2 just barely reached that level at > its optimum aperture (5.6-8). Flare is also better controlled in the new > lens, and eveness of illumination is outstanding. Again, in both areas the > older 90/2 was a step behind, and the T-E a little bit poorer again. > > As Erwin has repeatedly stated, to get the most out of the new lenses you > must use your best technique. Shooting handheld with 100S film, you would > be very hard pressed to see the differences between the A-A and the older > f/2. The T-E would show differences, but likely only in direct comparisons. > > Basically, the new 90 brings the performance of the previous 90 at its > optimum aperture all the way to f/2. That's the bottomline as I see it. > > * Henning J. Wulff > /|\ Wulff Photography & Design > /###\ mailto:henningw@archiphoto.com > |[ ]| http://www.archiphoto.com