Archived posting to the Leica Users Group, 1999/09/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Eric wrote: That's how I see this. While someone is swinging his OM4Ti around and pushing buttons and studying the 10-stop exposure bar, and trying to remember what spot on the bar goes with what part of the scene, tweaking the exposure compensation around trying to get just the right balance, I've shot the scene. . . . Eric Welch St. Joseph, MO --> For once, I disagree with you Eric. I never used an OM4Ti but this system FEATURE description I find fascinating as a practical approach in "impossible" lighting situations to try and make a shot retain some whatever advantage or useability even, then all out Zone System capability, which definitely is more than a flashing sword in the sun. With narrow latitude emulsions, the capability, it seems to me, makes a lot of practical sense. Zone System yields such wonderful results that would such a feature be included in a next generation Leica M or R, such as in the Hasselblad 205, it could add that much more to the practical useability to such products ( obviously not necessarily having to be as the Olympus OM4Ti, which seems to be a very well thought out camera with respect to affording the user that extra NICETY and DELIBERATE EXPOSURE CONTROL). Perhaps does the problem stem more from the fact it's not such an obvious thing to try and describe how this all actually works in a few e-mail words. At least, this OM4Ti thread brings back photography as subject matter. I also assume the system becomes "second nature" after using it a few weeks for someone who understands the (Color) Zone System well enough to try and use it. I found very interesting information on-line about just such a Color Zone System about a year ago. Regards, Andre Jean Quintal