Archived posting to the Leica Users Group, 1999/07/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Siimon said, >Do I just need a blast of the bright southern light of common sense to >banish this Noctilux fever? Or should I pick up the phone and tell the >dealer to send me that northern gloom-buster? :-) I too went through a similar period of temptation a couple of months back when in Ken Hansen's Palace of Leica in NYC. I glanced at the used M lenses just for a second and was walking away when I was asked if I could be helped: answer "No, but how much is the Noctilux?". Minutes later I had agreed to buy it, rationalising that at least here I had a chance to try it out for a few days and see if it was really what I needed/wanted. It was. It is a great lens and very versatile. The size and weight are quite manageable relative to what I am used to with SLRs but then I have smaller 50s too and the images: wonderful. The effect at 1.0 and 1.4 is quite special and regardless of low light capabilities it is worth getting for this look, quite gorgeous for portraits. The filter size - if it is 60mm like most of them - can be a pain if you need to buy colour correction filters since they are special order and very expensive. Earlier ones were 58mm which is handy filter-wise. The hoods are notorious for breaking on all versions except the latest built-in type which is notorious for blocking even more of the viewfinder whilst being smaller and less effective for shielding from stray light and physical damage. Replacement hoods for the older versions, if available, will range from 40GBP-100GBP secondhand or new. I used to have a 50/1.2 Noctilux which even after being overhauled to max. performance by Leica was still disappointing: the Summilux is a greatly superior performer in my experience. The 50/1.0 is in another league and I strongly recommend it. Wide-open and stopped down it is top class. You do need to watch for curvature of field, as with most Leica lenses of pre-90s vintage IME. Both Noctiluxes have slightly warmer than usual (Leica standard) colour rendition - similar to the 90/2 nonAPO if you are familiar with that. Having said all the above I use my Summicron about 20 times as often as the Noctilux for convenience and speed of use. Image quality is not an issue for me with either at any setting. You will probably need to get your RF(s) tuned to match the Noctilux: if this is impractical then you may find the Noctilux to be a huge disappointment. Echoing others I would say that if you only have one 50 you should get the Summilux. Only two then Summicron and Noctilux and only three - well by that stage you should be able to make your own decision! One other point: the world's most beautiful camera IMHO is a black paint M3 with Rapidwinder/Leicavit and a Noctilux (last version with removable hood). At least that is what it looks like to me, the proud owner of such a setup. If the Noctilux is in good clean condition and at a good price you should have no difficulty selling it for something close to what you bought it for. If it is worn then 90%+ of people who buy Leicas won't touch it. Bests Adrian Adrian Bradshaw Editorial and Corporate Photography Shanghai, China