Archived posting to the Leica Users Group, 1999/06/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>"Henning J. Wulff" <henningw@archiphoto.com> wrote: > >>>> shooting chromes under fluorescent lighting > >> best solution is to use one of >> the four layer Fuji negative films > >> Make chromes from the negs. > >Or if time/budget allows, a slightly differen twist: >shoot onto neg, scan these in, do a precise colour balance >in pshop and then burn onto 5x4 film using a bureau's film >recorder. > >No 2nd guessing colour temperatures when on location and >almost full control over rogue light sources. Also, client >will be impressed with how fast you work when on site! >Finally, you can give them an already scanned image on CD, >ready to use for print, www etc. ;?) > >Regds, > >Andrew Nemeth > >VR MEDIA SOUND PHOTO JAVA >nemeng Warrimoo Australia >www.nemeng.com That's actually the way it happens more and more. As negs have more information (bigger dynamic range) than chromes, I usually like to do scanning from negs, but there are a lot of clients who don't understand this and still want chromes. * Henning J. Wulff /|\ Wulff Photography & Design /###\ mailto:henningw@archiphoto.com |[ ]| http://www.archiphoto.com