Archived posting to the Leica Users Group, 1999/06/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> >I've recently been looking at old photographs from the 1930s and 1940s. >I love the look of these photographs, especially those which seem to be >taken on slightly overcast days, or indoors with large, slightly >diffused lightsources close by (though not necessarily in the fame). > >A perfect example is one of HCB's shots showing a man and his son on >a balcony of some sort, with fine wrought iron railing. > >In particular, the tonal structure of these seems to be fantastic. In >many shots, there are a million different shades of grey even within >a small area: often rendered as an almost uniform shade in more modern >400 ASA B&W shots. > >I'm wondering how I can achieve this: The shots are not massively sharp, >but they do exhibit this increadible tonal structure. Is it the film? >Lens? Printing technique? Am I actually looking at medium format >pictures and should get a Rolleiflex instead? > >I would really like to achieve this kind of quality: Again, not worried >about sharpness, but tonal quality is everything ;) Any suggestions >are welcome! > > >M. > >Martin Howard, I am also enthralled by pics reminiscent of the era of about 50 years ago in particular WW2 B&W prints. I get close to this effect by using an older lens made in the 40-50s, HP5+ film and developing in D-76. Now I use XTOL instead and the tonality is even better, and grain is finer. Dan K.