Archived posting to the Leica Users Group, 1999/05/21
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]This morning I picked up the Cibachrome prints of a sharp closed yellow tulip, with a very soft magenta tulip behind it. I used an M6, 75/1.4 at f/1.4 or f/2, as close as it would focus. DOF is about 1/2 inch. It's on Kodak E200 and I printed a vertical 11x14 out of the horizontal frame. That works out to a total enlargement equivalent of approximately 16x20. This is an outstanding print. It is the only one out of six that was "not" on Velvia, tripod, R camera, etc. It was hand held on E200. I have a new respect for this film. And the 75/1.4 is so outstanding it's frightening. Boy am I happy I sold my 90 and 50, and bought the 75. Of the six different Ciba's sitting here (not counting the 30x40's from LF), one 16x20, one 13x20, three 11x14's and one 9x14, this print gets the most ooo's and aaah's. One person actually stopped in his tracks, took a double take, and uttered words that I don't dare literally repeat here. "For the love of bleep bleep bleep, will you look at that!" The Bokeh is so smooth and creamy it's criminal. Why am I tell you this? Because I fell so strongly about the virtues of the 75/1.4, and I discovered that E200 holds up extremely well in large blow-ups. And the colors are subtile, true, and pure. After being stunned by the 75/1.4, E200, and Cibachrome, I decided I should pass it along. I guess you can tell that I like this combo. IMHO, Jim