Archived posting to the Leica Users Group, 1999/02/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Joe Stephenson wrote: > > Good point, Mikiro, but grain is even more intrinsic to photographic than > than Ray's notion of "brushstroke" suggests. Grain is the very stuff of > photography. It is the essence of the image. It is grains of silver that > form the image. Actually, of course, it's the spaces between the grains that > allow light to pass and form the image on the paper. > When I hear photographers hashing over schemes to get rid ofor reduce grain > to the absolute minimum, I often wonder why they do photography. It's like a > painter saying that they dislike pigment, or a banker saying they want to > get rid of money. Obviously we want to use grain in ways that supports and > adds to the image. But to always seek to reduce grain to the minimum seems > to me to be undesirable and somehow contrary to the nature of the process. Actually what you say above" When I hear photographers hashing over schemes to get rid of or reduce grain to the absolute minimum, I often wonder why they do photography." is very much in the spirit of what Ray is I think trying to say. He's certainly not implying some photoshop cheap effect. Mark Rabiner