Archived posting to the Leica Users Group, 1998/04/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jeff Moore <jbm@instinet.com> writes: >It's just important not to be too absolute in this insistence that >the capacity for this appreciation is somehow intrinsic, not learned. >Perhaps, in the example above, one needn't know Bach's musical >forebears for a first-level appreciation of the music, but I betcha >someone who hadn't been exposed to any notion of the usual intervals >to be found in a major or a minor key just wouldn't `get' the music >too well. I bet a monolingual (American?) person just wouldn't `get' >a simple poem written in Mandarin. And I bet that even with a >dictionary, but without cultural referents, he still wouldn't get it >too deeply. This reminds me of a story I read in one of Leonard Bernstein's books. A musician from India was visiting the U.S. and Bernstein took him to a symphony orchestra concert. After the concert Lenny was gushing about how wonderful the Mozart Symphony on the program was. To Bernstein's surprise the Indian musician said he was horribly bored and could barely stay awake. "But what about the subtle harmonies, the form, etc?" Bernstein asked. The Indian musician replied that was all well and good, but the rhythms were much too simple and thus the music was of little interest to him. The Indian musician did not enjoy the Mozart because he did not have the same cultural background as someone brought up on Western classical music. Indian music is very heavily based on rhythms. They have organizational structures for their rhythms that are as sophisticated (or perhaps more so) as the tonal forms of Western classical music. You don't neccessarily have to have a great understanding of these forms to appreciate the music, but the culture you are surrounded by is certainly going to affect what moves you regarding music. I can't speak to photography, painting, sculpture, etc, but it is definitly possible to learn to like certain types of music. I've encountered countless people that hated most modern concert music and wrote off anything written after the turn of the century. Many of them, once they took the effort to understand the music, began to appreciate and even enjoy some of it. At any given time there is tons of mediocre to bad art being made and just a very little bit of good to great art. After the years it eventually gets sorted out. Michael Bell MBell@mail.utexas.edu