Archived posting to the Leica Users Group, 1998/04/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]You are correct. When I went through Brooks, it was 90% incident and 10% reflected meter work. The only reason for using a reflected meter (removing the dome from the Sekonic and replacing it with the grid) was to determine scene brightness for B&W work (black towel and white soap, inside a church with bright windows and very dark woodwork...) You then know how to develop the neg. Compress, expand, whatever... (sheet film). At that time, there was no such thing as a TTL meter. There was Sekonic Studio and Weston Master. Both could read incident and reflected. It was much easier with the Sekonic so that was the meter of choice. I still have mine and I still use it. Jim At 03:21 AM 4/9/98 -0400, you wrote: >If an incident light meter is accurate enough to secure close to 100% >correct exposure for short latitude film such as Kodachome that must have >dead on exposure, why wouldn't the incident light meter be accurate enough >for black & white film that has much greater latitude? Mike Tatum of >Plymouth Products fame, advised me to use a Sekonic incident meter in 1968, >and I found it to provide much more accuracy than trying to measure >everything in the scene using a reflectance meter and then averaging. >(Mike used the Leica system.) > >I still like to use the old Sekonic and check the R-8 reading. >