Archived posting to the Leica Users Group, 1998/03/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks for the info......I will be scanning a bunch of Royal Gold 25 negs tomorrow to see if there is a big difference. At 01:37 PM 3/30/98 -0500, Jeff Moore wrote: >At 27 Mar 1998 18:21:21 -0800, Francesco Sanfilippo <fls@5senses.com> wrote: > >> I have always believed that slide film >> was the best for getting the ultimate image quality in a scan, >> but a PhotoCD expert I work with sometimes told me that >> color negatives scan MUCH better onto PhotoCD than slides! > >That's the common wisdom. Apparently, those CCD scanners (even the better >ones used for PhotoCD) have some troubles with the densest parts of the film. >This implies a limitation in shadow detail from chromes, and highlight detail >from negatives. The former is more often likely to seem a serious loss, hence >the preference for negative material if scanning is known to be the film's >most important use. > >> I was shocked, and today I bought a few rolls of print film (Kodak >> Royal Gold 25 and 100) in order to test his theory. > >I haven't done exhaustive scanning tests (maybe the PhotoCD color-balance >channels are suboptimal with this emulsion), but if you're trying color >negative stock, may I make a recommendation: give Fuji Reala a try before >settling on your final choice. I've used the stuff for years (through one >Reala reformulation), occasionally comparing it to Kodak's current crop, and I >keep liking the way Reala looks the best among 100-speed color-negative films. > >In the higher-speed realm (unsuited, I guess, for your hyperdetailed babe >photos), I've grown fond of Kodak PJM. Dunno what `multispeed' is supposed to >mean, but it's nominally 640 speed with a true speed more like 500; usefully >less grainy than Fuji's excellent CZ, nice color palette. > Francesco Sanfilippo, Five Senses Productions webmaster@5senses.com http://www.5senses.com/