Archived posting to the Leica Users Group, 1998/02/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ernesto and Guido, Shooting a wedding, thats more nerveracking than doing aerial shoots through open doors of planes. I haven't done many and I wisely refuse to be the main shooter. The most important factor is comfort and speed. Each one shooting with 2 M-bodies + a third loaded body, no lens, in a pocket. One shooter with 21 and 35 for wide stuff ( use 35 Asph for wide open sharpness) and the second shooter with 35 and 75, or if possible with 50 Nocti and 75. Use the same speed film throughout, no chance of screwing up which camera had what film in it. 800 ASA for indor stuff ( church, reception etc, Fuji is great and for black/white the Neopan 1600 pulls nicely to 800 ASA. Each one can use a M6 as meter/camera and the second body can be M3 for the 50 mm and a M4P for the 75. Chrome bodies for color/black for black/white. Convince some of the wedding guests that are not shooting to stock some extra film so you dont have to run back and forth for supplies. The reception is the easiest and most fun to shoot, wide angles work best, with the 50 for tighter shoots. If you can scout out the church beforehand that is great. Shoot a roll of the type of film you are going to use and do a testrun. I did a wedding last year as a guest, shot the ceremony from a pew ( aisle seat) and also things like the bride coming down the centre, bridesmaids etc and some of the guests. After the ceremony I quickly took a couple of rolls over to the local 1-hour lab and had them run all the frames as 6"x9" glossy prints. I had talked to them beforehand and they were happy to co-operate and did it all in 55 minutes. Then at the reception I gave the pack of prints to the groom and he could hand them out to some of the guests who had to go back to Europe (Italy and Germany) the next day. Almost all of it was shot with a M6, a 50/1,4 and a Rapidwinder( of course!). Very popular with the overseas guests and the bride/groom. I would keep 1 or 2 rolls for shots outside, 100 or 160 ASA color and do tight shots as well as the whole group. The formal shots are OK at weddings, but the pictures that tend to stand out are the more "journalistic" style of shooting. Cant wait to see the result of your shoot in March. All the best. Tom A