Archived posting to the Leica Users Group, 1998/01/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]So, so. And how got Leitz that reputation before they built the latest M Summicron in 1980 ? Certainly not because of the great loading system of it's screw mount bodies [speciallly, if you keep in mind, that the pre-war 1.5/50 Sonnar was an excellent lens, and the Contax had a great reputation also]. But, let's not speak of HCB's or Robert Capa's "low contrast, fuzzy photos with lots of abberations murking about" - let's switch the decades: Sam Haskins, Will McBride, Jean-Loupe Sieff, Paul Fusco, etc. - all took Leica pictures in the 60ies and 70ies. I do not think, that their pictures are "low contrast, fuzzy photos with lots of abberations murking about". So, I don't understand what you are talking about. But I admit, that I'm happy for/on (?) each sold lens of today. Since the profit comes out of the lenses, not the bodies. Each sold lens keeps a company going, which gives a lot of pleasure to all of us each day. Or do you suggest, that their workers are non-competitives also - when you take the selling rates into account which continue to be dramatically low ? Alf - ----------------------------------------------------------------- At 10:39 25.01.1998 EST, you wrote: ><< So, although more sharp, the current Summicron has lost parts of its > abilities. >> > >Yes, but the question is whether one wants these abilities that have been >lost. To me these abilities are the abilities to produce low contrast, fuzzy >photos with lots of abberations murking about. I usually don't want these, >but sometimes they are quite splendid. > >The point, however, is that if Leica could have produced well corrected, high >resolution, high contrast lenses in the past, they would have. The softness >of the old lenses was not intended - they just could not do any better >technically. > >Tom Shea > > >