Archived posting to the Leica Users Group, 1998/01/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tom, I have used the 24/2,8 for just about a year now. In the beginning I was not that ethusiastic about it, but now it has grown in popularity. Optically it is very good, smooth tones, very little vignetting and good, clean images. For sheer sharpness I would put it up against the 28/2,8 (the new version) and that is a good recommendation as anyone who uses that lens can attest to. Color/tones etc is close to what the 21/2,8 Asph produces and there is less softening of the edge at 2,8 on the 24 than on the 21,( we are talking splitting hairs here, I use a point source enlarger to even find those flaws and they certainly dont detract from images). Now, the finder is another thing, it is clumsy and not very "User Friendly" and i reccomend that you just go with a M6/M4?M2 body and figure out that what you see is what you are going to get+ some. If you already have a 28 I would probably recommend that you get the 21 instead, but the 24/35/50/75 or 90 combination works well. The 21 feels wider than the 3 mm difference in the focal lenght indicates and for shooting in older cities, Europe, Asia etc the 21 is almost a necessity. US and Canada has an excess of " wide open spaces" and the 24 works well here as a very wide lens. I always recommend that you convince your dealer that you want to shoot a roll with a new lens before you buy. Kodak Gold 25 neg.color is sharp enough, do a 24 exp. roll, shoot tight close ups,medium and infinity shoots and go from wide open to fully stopped down. Give the roll to the dealer and have him run it on a 1 hour or rush processing. This way you get the film back, while you still remember what you shot and you judgement is clearer. One trick is to aim the camera in the sky, facing north and shoot 2-3 shots, wide-open, mid aperture and fully stopped down. If the sky is blue or even overcast you can spot vignetting this way ( if possible do the same thing with an even colored wall at about 3 meters distance, vignetting can change with focus). If the lens meets your criteria, buy it from the dealer who allowed you the test. He will feel good about having sold you something you wanted and that met your standards and you now will have a reputation for being a good, but somewhat picky customer and he will treat you well in the future. There are times when you are better off paying a slight premium and get that kind of service, rather than always trying to buy at the lowest price. All the best, Tom A