Archived posting to the Leica Users Group, 1997/07/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On 8 Jul 97, Richard Clompus wrote: <snip> > Where do all the used R 6.2 cameras go? I guess once you buy one, > you never part with it. Lotsa R6 used available, but, you're right, not many R6.2. I bought a new 6.2 from Chatterton that was for overseas consumption. Sealed and untouched with English and German manual, no less. It was about five hundred less than new U.S., but no Passport, only a one year waranty that must be exercised through Chatterton. If you are comfortable shooting manual, then by all means go for the R6/6.2. Periodically, I find it necessary to remind folk that ALL exposure is merely a combination of a given f stop and a given aperture setting. I use the 6.2 meter and occasionally make adjustments on that based on experience. It's very fast when you trust your experience. Even if you add the sophisticated use of TTL flash, there's little that you can't handle with experience and a variable power output flash unit. Reportage and/or fast breaking sports probably are better served with an R8, but that's not my bag. Re: your post on the 35/Summilux M ASPH. They are quite available, at least in mail order channels. I can believe that the fairly new 24 ASPH and the brand new 35/Summicron ASPH are limited at this time, but not the 35/1.4 ASPH M. I sold a very recent production 35/2.0 M on Usenet to buy the 35/Summilux ASPH. I got $800+ for it; it had the pouch case, hood, box etc. and not a mark on it. You should price yours a bit below similar offerings of Tamarkin, Chatterton, Ury et.al. Less, because of the waranty that a dealer will offer. Good luck, - -- Roger Beamon Naturalist & Photographer Leica Historical Society Of America mailto:beamon@primenet.com Mathematics, rightly viewed, possesses not only truth, but supreme beauty--a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. -- Bertrand Russell