Archived posting to the Leica Users Group, 1996/10/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Eric, Roger, Friends, First, the terms "better" and "worse" will only be meaningful if the criteria used are given. My goal is the top quality picture (a balanced mixture of sharpness, color, color thuth, liveliness, brightness etc.). many people rank e.g. ease of use as a criterion for "good equipment". Then, the quotation marks I used around the words "you needed to know someone at Leica" should indicate in short that the sentence wasn't meant to be put on the scales. Certainly there were other ways to get the lens! (In this country: irony in _italics_! - Kurt Tucholsky, German writer in first third of this century. Well, I used quotation marks ... ; - ) ) And you'll be able to get it second hand. Then, to come to the point: Testing high end equipment leaves the range of measurable data. Wer'e talking about top quality equipment (and it wouldn't be top quality/high end/call it as you like if you could _measure_ a flaw!). It's the same case for high end hifi equipment BTW, all units will deliver excellent test results. I've studied the BAS tests for several M lenses (in between which I could discover remarkable differences in contrast etc.) and they all performed excellent in the lab test figures ... When I compare two lenses I walk around and look for a good, suitable motive to shoot. Something out of the real world, not a test chart. Then I use my favourite slide film for the conditions in which the lenses are of interest (e.g. Kodak EPR for daylight) and carefully shoot the situation with both lenses (same film, same camera, exposure bracketing for both, ...). Sometimes I shoot the same situation using known equipment (another lens which I use as a reference). This procedure is repeated with several (different) situations. (Under normal conditions a tripod is not really needed; ithere's not too much use in applying a tripod in a test situatuion when I wouldn't use it for real shooting). But you're quite right that such a device should be used ... (Such a lazy guy as I am!) Then, the film/s is/are developed carefully (as all the others) and the slides are put o the light desk (somewhere at 5000 K, certainly) and compared using a magnifying glass. I've gone through this procedure for many times. It was used by a close friend of mine to compare the Summilux M 35 Asph. and ASPHERICAL. The differences were clearly to be seen, especially in terms of colors (differentiation, liveliness, ...). As I have already had _several_ lengthy discussions about lenses in general and in detail with this particular guy, I do trust his description - and I was really happy for not having to perform the lengthy procedure this time (comparing the Asph. and the ASPHERICAL). For me the case is clear. But, whenever I'll get hold of an Asph. - well, OK, I'll compare the two by my own and I'll tell you about the details. I could also send slides - if you want ... (But it will take some time until the procedure will take place; unfortunately "I've got other hobies too" - - means I've got a job and it eats away much of my time. And I'll have to wait for an Asph. to test.) J.W. Goethe (probably the most famous German writer) says "it's easy to believe what the crowd believes". (I'm used to be part of a minority as I'm used not to believe too much in brochures ...) Have a fine day and enjoy your life Greetings Hubert * Von/From: HUBERT NOWOTNY, CTR Hatzenberger & Nowotny OEG * A-1040 Wien/Vienna, Kettenbrueckengasse 16 (Austria, Europe ...) * Tel ++43-1- 586 20 22 - 0, Fax ++43-1- 586 20 22 - 24 * hubertn@ctr.co.at, http://www.ctr.co.at/ctr/