Archived posting to the Leica Users Group, 2020/02/03

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Subject: [Leica] Uluru 2
From: photo at frozenlight.eu (Nathan Wajsman)
Date: Tue, 4 Feb 2020 07:30:21 +0100
References: <CAH1UNJ3ZDpnk+MxkFm0Ku01uFtc0UsBLLhTmKnKrTKa32hLZVg@mail.gmail.com>

The moving abstracts are not bad but I still prefer the straight 
shot?impressive!

Cheers,
Nathan

Nathan Wajsman

Alicante, Spain
http://www.frozenlight.eu <http://www.frozenlight.eu/>
http:// <http://www.greatpix.eu/>www.greatpix.eu
PICTURE OF THE WEEK: http://www.fotocycle.dk/paws 
<http://www.fotocycle.dk/paws>Blog: http://nathansmusings.wordpress.com/ 
<http://nathansmusings.wordpress.com/>

Cycling: http://www.crazyguyonabike.com/belgiangator 
<http://www.crazyguyonabike.com/belgiangator>

YNWA

"I?m not arguing, I?m just explaining why I?m right"












> On 2 Feb 2020, at 13:56, Jayanand Govindaraj via LUG <lug at 
> leica-users.org> wrote:
> 
> The second installment of Uluru photographs comes from a gigantic art
> installation called the Field of Dreams, which is acres of open land
> densely packed with LED bulbs of various colours. It switched on at dusk,
> and switched off at dawn. Unfortunately, no tripods are allowed into the
> area, or in the viewing galleries. Because of this, and the fact that
> descending darkness forced high exposure times, I decided to experiment by
> moving the camera around during exposure. I am a fan of the Abstract
> Expressionist school of painting, and this method, to me, seemed to
> duplicate the spontaneity in creation that the group believed in.
> 
> 
> 
> As dusk fell the lights were switched on, and this is the straight shot:
> 
> http://gallery.leica-users.org/v/jayanand/auatralia/uluru/Australia-20200116-723.jpg.html
> 



Replies: Reply from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Uluru 2)
In reply to: Message from jayanand at gmail.com (Jayanand Govindaraj) ([Leica] Uluru 2)