Archived posting to the Leica Users Group, 2020/02/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi Jayanand, The Harbour bridge picture is a stunner! You are certainly right about the IBIS. TFS. Howard Date: Sun, 2 Feb 2020 18:26:05 +0530 From: Jayanand Govindaraj <jayanand at gmail.com <mailto:jayanand at gmail.com>> To: Leica Users Group <lug at leica-users.org <mailto:lug at leica-users.org>>, PSM <psm-1857 at googlegroups.com <mailto:psm-1857 at googlegroups.com>> Subject: [Leica] Uluru 2 The second installment of Uluru photographs comes from a gigantic art installation called the Field of Dreams, which is acres of open land densely packed with LED bulbs of various colours. It switched on at dusk, and switched off at dawn. Unfortunately, no tripods are allowed into the area, or in the viewing galleries. Because of this, and the fact that descending darkness forced high exposure times, I decided to experiment by moving the camera around during exposure. I am a fan of the Abstract Expressionist school of painting, and this method, to me, seemed to duplicate the spontaneity in creation that the group believed in. Before I start, another point. I had always believed that IBIS would not be of much use to me. I was totally wrong. The IBIS on the Nikon Z7 is akin to magic. Here are three examples, all hand held: 1/6s @ f4 at 70mm: http://gallery.leica-users.org/v/jayanand/auatralia/sydney/Australia-20200114-571.jpg.html <http://gallery.leica-users.org/v/jayanand/auatralia/sydney/Australia-20200114-571.jpg.html>