Archived posting to the Leica Users Group, 2018/06/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Recently Lluis made a comment on the tonality(very dark) of an image that I had posted. His remarks prompted some evaluation on my part about choices in how to structure the tonality of B&W images. Modern technology pretty much lets the photographer produce images with any tonality desired allowing almost as much freedom as a painter. I replied to Lluis's comments with the immediate reason for my tone curve: to whit that I had been bing reading B&W magazine and their tonality tended to be zone II and III down to 0. On reflection, my choice of tonality was also influenced by dislike for magnolia leaves in particular; so the tonality was an expression of my dislike for the leaves that litter my flatwork every day. But that does bring up the use of tone in at least western culture to express positive or negative thoughts; the classic white hat/black hat western motif. It would be interesting to hear from others on the LUG who come from different cultural heritages about light/dark tones, emotion and value structures. -- Don don.dory at gmail.com