Archived posting to the Leica Users Group, 2012/09/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Even a silver negative is not color free and actually I think perhaps that metaphore is more to the point of what Erwin was saying. It would seem to have little to no practical use if your negative was cool or warm in your enlarger but fine printers would swear by the printing abilities of such an aspect. All that I can remember is that Microdol 1:3 gave you easy to see warm negs and that was supposed to be much of its magic in the enlarger. Your light sources of course would be key to this equation but in a cold light head it was probably just what the doctor ordered. One can not be color blind and be a fine black and white printer. Not in the 1990's. And not now. Mark William Rabiner Photography http://gallery.leica-users.org/v/lugalrabs/ > From: Paul Roark <roark.paul at gmail.com> > Reply-To: Leica Users Group <lug at leica-users.org> > Date: Mon, 3 Sep 2012 12:00:58 -0700 > To: Leica Users Group <lug at leica-users.org> > Subject: Re: [Leica] Leica MM and M9 Comparison > >> " One can safely claim that the Monochrom is the only digital 35 mm camera >> that delivers pure neutral tones, identical to the ones you get when using >> silver-halide emulsions." > > Silver prints are not totally neutral. Erwin is spouting nonsense.