Archived posting to the Leica Users Group, 2012/08/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Paul Roark OFFERED: Subject: [Leica] Ansel Adams Wilderness > In the first week of August I backpacked into the Ansel Adams > Wilderness with Roy Harrington. I am putting the images I work on at > http://www.paulroark.com/Ansel-Adams-Wilderness.html > > To reduce the weight as much as possible, the M9 and 35mm f/2.8 Zeiss > Biogon were the extent of the camera equipment. No tripod -- which > makes the shot of flowing water all the more interesting to think > about. > > All images were combinations of multiple frames. Sun over Lake Ediza > was 15 frames -- two rows of 7 plus one for the sun. Hi Paul, "Move over Ansel there's a new kid on the Block!" ;-) Absolutely beautiful fine art photography if ever there was! I shoot very little of these type of scenic's. But I can only offer with humility... "I absolutely wish I had taken these!" No question "The Power of B&W!" >>Sun over Lake Ediza was 15 frames -- two rows of 7 plus one for the >>sun.<<<<< Are you saying this photo is a combination of 15 frames stitched in camera or Photoshop of some kind? Me not the techie type as most of you know. But when such a magnificent image such as this is shown with the quote: >>Sun over Lake Ediza was 15 frames -- two rows of 7 plus one for the sun.<<<< It's most intriguing shooting it as I imagine? .... "one frame after another over lapping in two rows?" If you have the time would you please explain your description of how it was accomplished without any appearance of over-lapping anywhere. If that is the case? An amazing photograph! Thank you very much. cheers, Dr. ted :-)