Archived posting to the Leica Users Group, 2012/01/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Tue, Jan 17, 2012 at 1:26 PM, George Lottermoser <imagist3 at mac.com> wrote: > If it were a studio shot I'd reshoot; > unless it involved models and/or stylists and/or food. It almost always involved models (human or animal) or food. There was another staff member there who did the product shot printing. > Location work generally meant no reshoot. There was some of this too; a lot of underwater stuff, which introduces colour problems of its own. > Never resented a fine printer - saviors - only love ;-) You're clearly very kind. I got the feeling it was a love/hate thing for some photographers. I agree that the printer often became part of the look for photographers who realised the links from beginning to end of the process. > Resented the pro labs closing and leaving the saviors on the street; > and we shooters with nowhere to go. > We're talking about 20 and 30 year relationships here. > You tend to get dependent. > Your printer becomes an integral part of your "look" > which took years to coordinate. > (the good old days) I tend to think they never were the good old days as such, just what we'd got used to. Most of the guys make better digital prints themselves than I was ever able to manage for them with Ciba/Ilfochromes. Everything changes, and I am grateful for the decreased chemical exposure, and the relative plenty of light in my post-darkroom life. Marty