Archived posting to the Leica Users Group, 2011/07/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I'm a bit out of my element when I'll looking at and talking about medium format digital but I thought Bobs excellent images he posted yesterday looked just a tad crispy. Sharpened. And that even though there was no hands sharpening happening in the workflow there was some buried it turned out in a preset. As this happened to me in the smaller format digital world. For me it was best to leave "sharpened for web" preset turned off before hand in the adobe camera raw interface and sharpen it myself to taste. Starting from scratch. Making sure no one sneaked into the kitchen and put a pinch of something in. I think the preset puts the sharpening in later; after you're doing tweaking it. So you don't see it till you reopen the image again. You end up with consistently over sharpened images as there are in effect in the kitchen two chefs both adding salt to the same pot. >From what I've understood all along just because there is no antializing mask in medium format does not mean one doesn't need examine your image and add whatever sharpening needed. When I sharpened one of my images I don't do so begrudgingly thinking this is a defect in the digital process or my Nikons. I do so becuae the digital processs has only a few correlations with my darkroom experience and there is a whole lot of new stuff involved i'm needing to get used to. I wish I'd had that control in the darkroom. As far as mask making in the darkroom contrast or sharpness I knew people who did it as part of their workflow. And I wasn't even about to go there. Mark William Rabiner