Archived posting to the Leica Users Group, 2011/06/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks Chris, For years the only colour work I've done has been on transparency where, of course, any latitude there is is the other way. What do they say about old dogs and new tricks? P. Paul Hardy Carter www.paulhardycarter.com www.theconstanteye.com www.twitter.com/paulhardycarter Skype: paulhardycarter Location and Directions Mobile: +44 (0)75 4018 1784 Studio: +44 (0)20 7277 0778 On 6 Jun 2011, at 09:15, Chris Crawford wrote: > All color neg films have a lot of overexposure latitude, but none that I > have ever seen could tolerate any underexposure. I've always looked at the > box speeds on color neg films as somewhat wishful. I usually give them 2/3 > stop more exposure and get best tonality that way.