Archived posting to the Leica Users Group, 2011/01/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In case you're interested (or in case it makes it impossible for you to care to look) these two were both made with possibly-exotic-seeming glass on micro-4/3s bodies. --------------------- I really like the colors in this one, especially the way a couple of the paints on the concrete pop. No fiddling with the digital saturation control, just the natural magic of damp concrete and diffuse light from an overcast sky. http://photos.bazbarfoo.com/Stuff-Outside/The-light-was-good-that-day/7359807_yD7nv#1169755261_U9j4G-A-LB Voigtl?nder/Cosina 25mm f/0.95 Nokton, stopped down to probably f/2.8 or 4, on a GH2 body, ISO 800. --------------------- This one reminds me somehow of aspects of paintings I've seen and liked. No stupid "artistic" computer effects were used, although this wasn't an exercise in by-the-book technical perfection either; the kind of flarey quality the highlights have (which I'm digging) must be related to shooting through a window and a screen. http://photos.bazbarfoo.com/Stuff-Outside/Through-the-Window/15611754_cVkuc#1169771909_cdvAw-A-LB 180mm Apo-Elmarit-R (wide open) on GF1. --------------------- C&C encouraged, as always. Hope you like these, too. -Jeff