Archived posting to the Leica Users Group, 2010/11/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Shanbe, Aban 22, 1389 09:17:17 pm you wrote: > Shadows are the way we see things, the way we recognize people and they > have meaning beyond that, knowing the preconceptions that come with the > amount and placement of shadows is one of the things that photographers > are (more or less) paid to know. But breaking those conventions is also > the responsibility of a photographer because shadows and posing can do > things like re-enforce gender stereotypes. > > I came across a website a few years back -- someone here will remember whos > -- of this guy who's done a bunch of presidential portraits. he had a > behind the scenes of photographing ronald reagan -- he just sat him close > to a wall and put one small softbox about six inches from the President's > face, aimed at a 45 degree angle and zing -- that was it. lots of dark > shadows, wrinkles, drama and greatness. Power, mystery. > > It was probably with this in the back of my head that I lit novelist > Victoria Janssen with one small Photek softlighter II > > http://www.kylecassidy.com/lj/2010/victoria-janssen.jpg > Very beautiful Portrait. And good tip. It is quite hard me to use hard light. Whenever I tried to use a hard light. I can't control the shadows. and things get more complicated when I try to use second or third one. Simply I get confused by them. Usually in the end, I am forced to use two or tree soft light to get an acceptable result. models expect an acceptable result, and I don't want disappoint them. Bests Ali Yazdi