Archived posting to the Leica Users Group, 2010/04/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I read the review earlier this morning, before seeing your post. The quote you have in quotation marks is I believe from Robert Frank, while the reviewer's conclusion is as stated in your post. I'll be interested in your opinions after you've seen the exhibit. I've seen a lot of HCB's work and while I disagree for the most part with this reviewer's opinion of it I think I can see how he gets to it. --Bob ===On Sat, Apr 17, 2010 at 10:18 AM, Charcot <charcot at comcast.net> wrote: > ?He traveled all over the goddamned world, and you never felt that he was > moved by something that was happening other than the beauty of it, or just > the composition.? The problem of Cartier-Bresson?s art is the conjunction > of aesthetic classicism and journalistic protocol: timeless truth and > breaking news. He rendered a world that, set forth at MOMA by the museum?s > chief curator of photography, Peter Galassi, richly satisfies the eye and > the mind, while numbing the heart. > > Read more: > http://www.newyorker.com/arts/critics/artworld/2010/04/19/100419craw_artworld_schjeldahl#ixzz0lN2EKWEc > > Sorry folks I don't get it - how does the reviewer draw all this from HCB > . ?I for one am planning on spending $ to go to one of the hosting cities! > > ernie >