Archived posting to the Leica Users Group, 2009/11/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> You're kind of going both ways - yeah the flash is going to bring in info > to > the shadows, and so bring down the black, but then the bump is going to > 'blow' > the highlights. Since the film is so damn slow, you've got time to play > with > both ends and figure your percentages. Halftones that that only have a main > exposure are usually pretty flat. > > Kodak still make a whole range of lith films, but I wonder if they are > doing > any fresh research with them. I guess they're still being used in > specialized > industries, but in the print biz, is anyone still shooting traditional > halftones? I assumed Photoshop has done away with most process work using process cameras. Anyhow this is the first I've ever heard a regular photographer person knowing anything about it. Its really an entirely different fields. Graphic Artists learn it. That's who I was teaching it too. Mark William Rabiner