Archived posting to the Leica Users Group, 2008/09/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Thanks to all who commented. http://tinyurl.com/5f39uj Let me ?defend? the shot, and by that I don?t mean to be defensive to to imply that I am offended. I just love getting critical comments: makes me think and re-think what I?m doing and why. First the back pack: Helen did not like it either, but for me it ?came? with the wires heading under the head scarf. She is so calm so serene that the wire and pack are a little out of place -- part of the story I was trying to tell: modern girl, ageless emotions. Background: yes, its a confusion of scratches - lead graffiti, with everyone trying to have there say. Its a famous monument, its chaos up there, narrow stairs and passage ways, yet in this chaos she ?escapes? for these few moments: again for me (for me remember) they are part of the story and I ?love? the background -- does anyone agree? Verticals: well of course nothing is vertical up there and the roof she is leaning against is not vertical either. In fact, I like the curve of the girl and find the slight slope of the roof fits it: I hadn?t noticed that before. Muddy blacks: I?m not sure, I kept the contrast lower here, as I would have in the darkroom. The subject seemed to ask for a softer feel. Despite your explanation of the under-exposure, I don?t have time on the street to shoot/check and adjust, so I would much rather tame the highlights: when the image loses highlights that really bugs me, so I don?t know how to avoid it without a slight under exposure. And for Geoff: the serial number is too low for the Dior :-) its the older M8, the newer one is for wide angles and the older on focuses the longer lenes slightly better. Others wrote: WOW! A great shot of a beautiful girl. Jim devastating ric Alastair, wonderful light, expression and composition. I think that you may need to consider reducing the background here. The forest of graffiti scratchings is distracting. Maybe sufficient to just blur it down a little?? Cheers Geoff Excellent. I might have burned the left side a little, maybe not. Fine image IMHO. Ken I agree with Geoff in all respects. Doug Herr striking shot beautiful face framed in fine light [homage to George's eloquence] I would like to see a version with all of the pack cropped off= even greater simplicity. Alan Looking closely at Alastair's file, I see that this is from his Christian Dior Leica! No wonder it sees poetry in Paris. Since I know Alastair well, I thought he might endorse a further dissection on this pic. As mentioned, like George I really like the light and striking face. I like what the (nearly ;-)) vertical gaps do for the composition and the placement of the woman in the frame. All of the scratched surfaces behind definitely distract me. On exposure, I think that underexposing the capture was a mistake here. The darks (at least as shown) are just flat and a little muddy to my eye. It is diffuse light of course. OK, have at me, if you want. Cheers Geoff