Archived posting to the Leica Users Group, 2008/09/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Oh, absolutely! Not always, but there are times that it's a giggle or an irony that grabs me. Other times it's just artistic flair or brute strength. It might be history or an inside joke. I think that's why signs work for me in getting the shutter loose in hard times--a wide variety of triggers to get me going. Whatever get the attention, I try to work into a decent composition. There are also times that I see things in editing that I did not register on when shooting. Of course, I believe we see things that do not register with us consciously, but trigger something we only understand later. This may be a result of high school literature class. I never believed that authors intended or understood or intended all those themes and messages that we find in analytical reading. Good writing taps our shared experience and makes us associate common feelings. Ric Carter http://gallery.leica-users.org/v/ricc/ On Sep 4, 2008, at 6:52 PM, Lottermoser George wrote: > The 3 I mentioned seem to move beyond > "relatively objective" documentary studies; > to (however subtly) more "subjective" visual commentary. > > Do you "feel" this subtle difference while working some these? > or > Am I now commenting on my own "feelings" as a viewer of the > photographs?