Archived posting to the Leica Users Group, 2008/08/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]First I must pay tribute to your time consuming and disciplined commenting. In fact I chose: Sharpness on "part of the knurling" which, for me, translates to enough read that form. Sharpness on the corner. Sharpness on the edges of the two circles above the knurling. To achieve an overall composition of "sharp areas." I don't often seek to "lock on;" rather, I generally seek lyrical eye movement and asymmetrical balance. For me - it works pretty well in these regards. Fond regards, George george@imagist.com http://www.imagist.com http://www.imagist.com/blog http://www.linkedin.com/in/imagist On Aug 28, 2008, at 6:04 PM, Geoff Hopkinson wrote: > George, I find the vise shot tonally interesting as are the lines. > My eye is > looking for more sharpness in the knurling whereas you have chosen the > forward corner. I think maybe the pattern repetition in the > knurling is what > drags my eye to there, but with the miniscule DoF I struggle a bit > to lock > on, if that makes sense.