Archived posting to the Leica Users Group, 2007/08/31

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Subject: [Leica] Re: Negative price elasticity
From: lrzeitlin at optonline.net (Lawrence Zeitlin)
Date: Fri Aug 31 09:59:44 2007
References: <200708311129.l7VBSa7F099401@server1.waverley.reid.org>

On Aug 31, 2007, at 7:29 AM, Didier wrote:

> I dont think much about those inexpensive and slow kit zooms, if  
> from Panaleica, Olympus, Nikon, Canon or whoever. If the body costs  
> only $100 less without kit-zoom, one may imagine at which cost  
> these lenses are produced. You get what you pay for.

Don't buy into the "You get what you pay for" canard. The price of a  
product has relatively little to do with its cost of production, save  
only that the product not sell for too much of a loss. In general,  
the actual production cost of most manufactured items, cars, cameras,  
or cookies, averages about 20% of the retail price. What you pay is  
dependent primarily on the distribution system, the number of markups  
prior to reaching your hands, and the actually demand for the  
product. For products whose actual performance can only be judged by  
experts (i.e. Leica lenses), consumers often use price as a surrogate  
cue to quality, believing, as you do, that "you get what you pay  
for." The less certain you are in your judgment, the more likely you  
are to regard price as an index of quality.

'Taint so. Leica branded lenses on Panasonic products cost just as  
little to make as lenses on competing brands that don't carry a  
distinguished German name. In film camera days, Canon and Nikon both  
supplied normal lenses at one tenth the price of competing Leica  
lenses. Were the Leica lenses any better? Perhaps, but not ten times  
better. Some fairly rigorous reseach at the time showed that quality  
difference were almost inconsequential in normal use. Leica kept  
their prices at the high end even after they were well into the  
learning curve and production equipment had been fully amortized to  
bolster the brand's image.

Indeed, marketers are so sure that the public regards price as an  
index of quality on luxury items that they often increase the price  
to raise the brand image in the public psyche. Loreal's "It costs  
more but I'm worth it" was lauded as one of the most effective  
marketing campaign slogans in the cosmetics industry. For most  
necessary items, lower prices mean greater sales. For luxury items,  
raising the price often increases sales. Negative price elasticity  
reigns.

Case in point. My wife and I are friends of the owner of a major art  
gallery in NYC. The gallery specializes in "psychiatrist modern"  
paintings - the type that a wealthy psychiatrist's wife buys to hand  
on her husband's office walls. These run in the $10,000 to $20,000  
range. If a painting doesn't sell in a few weeks, the owner of the  
gallery raises the price by $5000. A visitor to the gallery often  
says "That painting was only $15,000 last week. Today it's $20,000.  
I'd better buy it before the price rises again." Every one is happy.  
The owner because the painting was sold. The buyer because she got an  
item that she felt would appreciate in value. The artist because he  
or she got a few thousand extra.

Remember only that the price of most luxury products, lens, camera,  
or Tilly hat, depends on the buyer's willingness to pay. It has very  
little to do with inherent quality.
Sorry about that.

Larry Z


Replies: Reply from leica at screengang.com (Didier Ludwig) ([Leica] Re: Negative price elasticity)
Reply from Frank.Dernie at btinternet.com (Frank Dernie) ([Leica] Re: Negative price elasticity)
Reply from imagist3 at mac.com (Lottermoser George) ([Leica] Re: Negative price elasticity)