Archived posting to the Leica Users Group, 2007/08/21
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bob Shaw: M8, 35/1.4 Asph, I believe at f/4, 1/250th, ISO 320. Cloudy daylight, during a period when wasn't raining on Sunday. Thanks to everyone who commented. I was attracted to the vibrant colors, and wondered whether they would reproduce on paper. I had a feeling they might be out of gamut. On my screen, which is calibrated, the colors are pretty true to life. Now that the prints have dried for a day, they are closer to reality than before. But they are still more red-pink than vibrant violet. As someone predicted, the R1800 is closer to reality than the R200. What's really amusing is that where the flowers have started to fade (e.g. left edge of picture), the color prints properly. All this reminds me why I love B&W so much. :-) :-) Looks like Adobe RGB may be in my future, regardless of what Ken Rockwell says. http://kenrockwell.com/tech/adobe-rgb.htm http://kenrockwell.com/tech/color-management/is-for-wimps.htm Back in my pre-scanning film days I shot mostly two films: Tri-X and Kodachrome 64. I would do all manner of darkroom stuff to the Tri-X images, including dodging, burning, and local bleaching of prints with potassium ferricyanide (the orange stuff). Color I left to Kodak and their precision nitrogen burst agitation and +/- one half degree temperature control, courtesy of "God and Man" (Godowsky and Mannes). --Peter Bob Shaw wrote: >Hey, Peter; > >I like it. >What camera, lens, aperture, speed? Film or digital? >Bob