Archived posting to the Leica Users Group, 2007/05/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I was recently at the old Mount Washington Hotel and while I was lifting a pint, the strap on my M8 opened and camera fell onto a rock floor. I finished my beer and then picked it up, expecting the worse, but as it turns out it just seems to need a range finder realignment. I continued taking images and I've posted some on the LUG gallery. I thought that you would like to see how the camera performs in available darkness and with the 12 mm Heliar . http://gallery.leica-users.org/v/tomlianza/M8+images/stacia+and+terri.jpg.html This image was taken in the ambient light of a club. I had to focus on a glint coming from Statia's pendant. The exposure was 1/4 sec at iso 2500, at f1.4 (summilux 35) Naturally, the image is a little soft. The noise is definitely there but the image recording capability of the camera is juts fine given that I couldn't see either face when I took the shot. There are very hard saturation artifacts in the background due to the high luminance fluorescent lamps in the various beer ads in the club. There were no IR filters on the camera This image: http://gallery.leica-users.org/v/tomlianza/M8+images/railroad+bridge.jpg.html Was shot with the 12mm. There was no compensation applied for the field uniformity due to vignetting. The whole lens coding scheme makes no sense to me. I think that Leica is creating a monster with these tinker toy digital band aids to compensate for the IR issue. The fact that they are using thin film filters for the IR removal task is really nonsensical, especially with wide angle lenses. I would use a piece of 1mm thick Schott BG39. This will not cause an off- axis drift in color. I use this in many of the products that my team has designed such as the Xrite i1Display and the Pantone Huey calibrator. The filter appears visually Cyan, so I think some people might have some issues with it, but it works fine with a bit of white balance shift and it won't create any off axis shift problems. Actually, it is probably the same glass that covers the sensor, only the right thickness :) I like the m8 quite a bit, although the user interface leaves a little to be desired. The "set" button is not really well named, but I don't have a better alternative. The EV adjustment should be before the ISO adjustment on that menu, but for all I know, it may be programmable. The manual is extensive and I haven't really sat down with it. I really wish that they had an external adjustment of ISO ( like the RD-1) and a manual way to change EV (like the R8/R9 DMR). The DMR and Nikon D2x represent cameras that address the needs of the pro, particularly with respect to intelligent use of controls. Both provide a very quick mechanism to see the current camera settings. The M8 falls down a bit in this area. It is a real trooper, has excellent tonal capture capability, and works with all the lenses I own. If you have the bucks and love Leicas, treat yourself. My other digital cameras are the R9/DMR , Nikon D2x, Nikon D200, Epson RD1, Olympus E1, and a Canon s80. I can't say that I really have a favorite. Each of them can deliver a good image (although the Canon s80 and Oly E1 are very much out of the class of the others).