Archived posting to the Leica Users Group, 2007/04/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tina Manley offered: >>> I know what I think. For photojournalism, I think it's o.k. to crop, to adjust levels and color balance and a very few other things that you could do in the darkroom.<<<< Hi Tina & others, Simple clean cropping has never been a problem, "real wet tray stuff" or digital. A slight bit of burning in or dodging isn't anything to get excited about as "doing something wrong." In the photo world of long long ago all kinds of "fiddling" was done by some of the "greats of the day." You mentioned Gene Smith, my goodness he was a master at it, manipulation without anyone knowing he'd done it.... However not as great as some of the PhotoShop wonder kids of today. If one is a photojournalist, a true recorder of the time, then there isn't any need for fiddling other than the standard in darkroom/lightroom slight burning in or dodging. Plus cropping, unless it changes the complete look and displays an untruth. However, if one is an astute user of cameras and the right lens at the moment of exposure, then damn little needs to be done to the photo situation at anytime. In my medical books it's all film. Nor are there any manipulations other than a slight burn down around the sides on the odd photo scene merely to assist in focusing the viewer's eyes to the central body of the photograph. I can honestly say what's there, was there. And what isn't there wasn't there! It is pure photojournalism as you see it truth! What I have a problem with are those so called photographers who add an object, IE: baseball, puck, volley ball, basketball or any other projectile used in sports to fix what they missed because of their inadequate ability and skill as a photographer. So they cover their collective asses with a Photoshop fix up. A pox on them all! In those cases when caught ...... the shooter is fired immediately. Like hello-goodbye yer out of here!! Similarly so in adding people, taking people out and or any other screwing around to "change what was there at the moment of the exposure." Those of us who are true believers as photojournalist's, telling the truth and showing the truth at the moment of the exposure, is paramount to what we are as professionals. Quite frankly in all my years I never thought of cheating on a photographic moment. Just never occurred to me. WHY? Because I'm an old school photojournalist who tells the truth with my camera at the moment of the exposure you had better not mess with a picture after the fact! When you've shot hundreds upon hundreds of documentaries where your work is scrutinized by thousands, both in and out of whatever industry, profession or life style it may be, you had better do it right and show it truthfully. Too much of the world is slipping or has already into a second rate attitude about telling the truth. And mediocrity is rampant everywhere. "Yeah that'll do." is quite an acceptable attitude because "Charlie the PhotoShop king" can fix anything. Stock photography? Who cares what these people do as most of it is used in some form of advertising, and who of that ilk tell the truth? Photo art and illustrations? Once again, "Like heck do what you may,who cares whether you add a hundred trees, a lake and South Pacific sandy beaches! Just make it look beautiful!" But don't mess with anything that is photojournalism. There is an old saying... "A photo lever lies!" Oh well there you go eh? Hell there goes another element of truth these days! :-( ted