Archived posting to the Leica Users Group, 2007/04/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Quite so Ted. We, who have a passionate relationship with photographs, will continue to create images irrespective of the economics. You also point to another aspect of "A good while ago" - the quality factor. I've always been drawn to photography of every sort: documentary/journalism, fashion, portraiture, landscape, art, whatever. I simply love photographs; both making them and looking at them. With that said: Fashion - compare the aesthetic quality of photographs in Vogue or Harper's Bazarr from 1955 - 85 (Avedon, Scavullo and Penn, etc.) and today. Portrait - Jorge Lewinski's Women of the 1960s, Bob Collins' studies of Artists at work in the 1970s, Yousuf Karsh, etc. Take each photo category and compare. Compare the popular photo rags of 1940's, 50's, 60's, to today's drivel versions. Yes. There are some fine photographic publications. But they have become extremely narrow in their scope; which is fine; still wonderful to look at. And of course fine work continues to be done by those with passion for the media, including a great many on this wonderful list. But where do we see their work in print (hat off and glass raised to Kyle)? Where is the market for "fine" photography in any particular field today? And what are their creative fees compared to 20, 30 or 40 years ago? Regards, George Lottermoser george@imagist.com On Apr 4, 2007, at 3:40 PM, Ted Grant wrote: > Quite simply put.............. > "Everyone with a digital camera has become the photographer of the > moment > because we can get him/her for peanuts!" Or better..... "give them > a credit > line!" Or...."we don't need to pay them because they love to see their > pictures published!" > > But in reality it's this..... "Good photography doesn't happen > because you > use a digital camera! It happens because you know what makes a good > photograph!" > > Unfortunately the second rate bean counters and art director photo > editors > know this, but they don't care because.... "Charlie the super whiz > on the > PhotoShop machine can do wonders with anything and make it look > great!" > > And that folks along with the every body digi shooter so called > photographer > combined with dumb ass editor art directors is why we're in this > situation! > > Put all that aside.....and I'd rather be a photojournalist doing > what I love > with a passion, "documenting a situation!"