Archived posting to the Leica Users Group, 2007/01/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Peter Klein wrote: > I'm a bit of a squirrel. I rarely throw anything away unless forced > to. Then once in a while, reluctantly, I do a big cleanup. As with > life, so with computers. I have files on my computer that date back > to 1983, the year I started working with PCs, plus some converted CP/M > files from even earlier(!) This has not been much of a problem--most > of it has been text, and the size of the hard drive on the new > computer I buy is always bigger than the old one. So I never hit the > ceiling. > > Until now. Enter digital photography, where one TIFF is the size of > my entire hard drive 10 years ago!! A 16-bit TIFF of a scanned frame > of color film is about 125 megs. An E-1 RAW file is 10 megs, and a > 16-bit work TIFF is 28 megs. B&W films scans are 40 megs. It adds up. > > My hard drive is nearly filled with RAW files, scanned TIFFs and > intermediate work TIFFs. I was embarking on a ruthless rampage > through the directories, meaning to get rid of lots of digital flotsam > and jetsam. Then I found a keeper RAW file I hadn't noticed before > (see "Found on my hard drive"). And this gave me pause. > > Problem is, I end up with a lot of unneeded junk on my drive, but it's > hard to decide what's needed and what's not. I'd be interested in > how other LUGgers cope with this--what do you keep? What do you throw > away? How do you decide? > > My inclination is to keep: > > 1. RAW file or the original scan. > 2. Final version, unsharpened (8-bit TIFF, PNG, or high-quality JPG) > 3. Reduced JPG for Web. > > But with film, sometimes it seems to make more sense to keep the > spotted version of the original, or even the 8-bit version after the > curves are right. It depends on the image. Sometimes I save several > version, decide on one, then come back and use another curve or > cropping later. Or I don't spot until I decide the image is worth > working furthre. That's where it gets confusing. > > Add to that, what format do you keep your final files in? I used to > think TIFF was the only way to go, but I'm now wondering if PNG might > be better (lossless compression, often 30% smaller than an 8-bit > TIFF). And I've read that some people keep a very high-quality > JPG--and I must say, with my E-1 DSLR photos, I usually don't notice a > difference between TIFF and such a JPG. > > I'm also wondering whether it's worth it to go through years of files > and delete intermediate files, or just buy a bigger disk and try to > streamline my future workflow to leave fewer files in the first > place. Or buy a DVD burner--but I'm concerned about the longevity of > any home-burned optical media. A big hard drive or two, plus a > matching external for backup seems better. > > Note that I use Picture Window Pro, not Photoshop, so I end up saving > several different files at various stages of editing, rather than > having layers in one humongous file. Then again, I don't need a > gamer's PC with 2 gigs of RAM just to get by. > > --Peter > > Peter, Your saga of computer photography has only discouraged me from going digital! I work at a computer for eight hours or more each day in the field of aerospace engineering. Now the thought of working at a computer for FUN has turned me off. It is not fun; tedium. Jrrry Lehrer