Archived posting to the Leica Users Group, 2006/12/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> > Does my jumping runner shot here: > > http://web.mac.com/mac.hive/iWeb/Site/Street.html > > work in any way? >>I think you need to be closer. Sure, I agree, but I also need a longer lens than a 50mm, which is my longest M lens. I couldn't get closer or I would have been run over. Mr. Brightroom guy was 3 inches from my ear, firing away and saying over and over again: "Great race, good job, way to go, great race, good job, way to go". That was enough to drive me insane, even if his non-stop firing wasn't enough to do that or his complaints about his buffer filling up too rapidly. >Brightroom specializes (if you can call it that) in mass production. >If you give an infinite number of chimps an equally infinite number of >machine-gun Nikons then in theory there will be a good picture among >the infinite number of exposures. I've gotten better pictures by >handing my R4 to one of my friends so they can snap one picture as I >run past. I have never ever purchased a Brightroom photo of one of my >races. Good for you! I agree with you, it is a ridiculous business model, but there you go. Those guys must burn up a lot of shutters. I still wonder what the decisive moment is in a road race, if none of the runners fall down at the finish line, say. I can picture those horse jumping shots that Ted described and I love that shot of the rider going into the drink, but my mind draws a blank coming up with an amazing shot of a long distance runner, unless it is of some guy grimacing in pain. Any hints? I won't be photographing any more races unless my wife is in them... Regards, Larry P.S. We even have boids in New York City, but some of ours have rent-controlled deals on 5th Avenue.. See: www.palemale.com